"JEALOUSY" NATALIE MERCHANT (1995)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

I’ll choose 10,000 Maniacs over Natalie Merchant’s solo catalog any day of the week. Her musical leanings changed quite significantly with Tigerlily. But “Jealousy” was a parting gift to the 10,000 Maniacs’ faithful.

When I heard songs like “Wonder” and “Carnival” on the radio, I thought, there she goes, another one bites the dust. But “Jealousy” gave me more of what I was looking for. It was an outlier track that felt more like an unfinished 10,000 Maniacs demo. The song structure, playful temperament and Merchant’s unique storytelling style were reminiscent of the fruitful In My Tribe / Blind Man’s Zoo era.

“Is she smart, so well-read, are there books, are there novels by her bed?”

"DIAMONDS ON THE SOLES OF HER SHOES" PAUL SIMON (1986)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

Dating back to the Simon & Garfunkel years, Paul Simon was often viewed as the driving force and persona in that duo. But if Graceland taught us anything, it’s that Simon was born to collaborate and not steal the spotlight. It’s one of those rare albums that become instant classics the minute they’re released.

Every song is gold on Graceland, but the last track on Side 1 was one of my favorites in all its unrock & roll glory. After Simon’s trip to South Africa, he brought back a local choral group with him to New York City to record “Diamonds on the Soles of Her Shoes”. It starts off a cappella, slips into a world beat groove exactly at the 1:00 mark and oozes with joy for its duration.

“People say she's crazy. She got diamonds on the soles of her shoes. Well that's one way to lose these. Walking blues.”

"THE PASSENGER" IGGY POP (1977)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

Depending on your musical inclinations, the day The Stooges broke up could be viewed as one of utter defeat or one of resounding victory. For me, they’re one of those bands that I can respect, but not necessarily appreciate. But Iggy Pop’s solo work — and the Lust for Life album in particular — is a different story.

“The Passenger” is one of my all-time favorite songs, one that resides in its own musical venn diagram of punk, classic rock and show tunes. It started off as a b-side, off the radar, unheralded. And then over the years it became a sort of late bloomer classic. In my mind, it’s one of the best solo outputs to come out of the punk scene.

“I am a passenger. And I ride, and I ride. I ride through the city's backsides. I see the stars come out of the sky. Yeah, they're bright in a hollow sky. You know it looks so good tonight.”

"HARROWDOWN HILL" THOM YORKE (2006)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

The Eraser was the quintessential solo side project. Picking up where Radiohead’s Hail to the Thief left off, it was experimental, but not a complete departure from the band’s recent electronic leanings

At the time of “Harrowdown Hill”, my interest in Radiohead had already started to wane — the days of The Bends and OK Computer were done. But as a solo effort, it fit the bill. Intentionally minimalist, the mood was haunting, menacing, dark. It contained all the signs of a musician not willing to take a break. A frontman who couldn’t help but explore new synthesizer sounds well into the night, while his bandmates rested.

“We think the same things at the same time. We just can't do anything about it.”

"FORTRESS AROUND YOUR HEART" STING (1985)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

The Dream of the Blue Turtles was my first experience hearing a former frontman turn solo, and it didn’t disappoint. Sting’s debut solo album is full of varied themes, genres and personalities. And my favorite track was always “Fortress Around Your Heart”.

It’s a love song written like an epic war story. The melody is infectious, yet utterly unique, and contains one of Sting’s self-proclaimed finest choruses. And the instrumentation is impeccable, with the calculating guitar picking, prodding bass line and Branford Marsalis’ sly sax solo marching in sync.

“I recognized the fields where I'd once played. Had to stop in my tracks for fear of walking on the mines I'd laid.”

"SATELLITE OF LOVE" LOU REED (1972)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

The best thing about Transformer and “Satellite of Love” is that they’re strikingly similar to the Velvet Underground aesthetic. In fact, the track was previously recorded as a Velvet Underground demo for Loaded. And then it was rerecorded for Transformer while the band was technically still together at the time.

What “Satellite” did, as many Lou Reed songs do, was take a simple rock song with a relatively simple song construction and add elements that gave it an air of unfamiliarity and uniqueness. That was Reed’s magical formula. And the potion for this one was an unusual story, a bridge that seems to come out of nowhere and the bubbly falsetto backing vocal.

“I've been told that you've been bold with Harry, Mark and John. Monday and Tuesday, Wednesday through Thursday with Harry, Mark and John.”

"THE CHANGINGMAN" PAUL WELLER (1995)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

The solo work of Paul Weller is one of the more underrated music anthologies today. While The Jam helped define the British punk era and mod revival, Weller has been a sort of music chameleon in his solo years. He’s gone headlong into all kinds of musical directions over the years – with elements of jazz, funk, rock and blues.

“Changingman” is one of my favorites. It’s a song of swagger. It’s bluesy. It’s performance-friendly. And it’s proof that you can go out and follow an entirely different musical agenda as a solo artist and still be hugely successful and respected.

“Numbed by the effect, aware of the muse. Too in touch with myself, I light the fuse. I'm the changingman.”

"GAMES WITHOUT FRONTIERS" PETER GABRIEL (1980)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

Before his foray into alternative rock and world music, Peter Gabriel carried the prog rock themes of early Genesis into his solo work. With “Games Without Frontiers”, he made prog rock more accessible.

One of my favorite Peter Gabriel anthems, just about everything in it was progressive, from the vocals to the keys to the guitar to the whistling. But the melody was palatable, even catchy. Each track on Peter Gabriel 3 was like a unique book that you could pull off the shelf, dust off and devour. “Games Without Frontiers” felt like a post-apocalyptic narrative, like The Hunger Games, Battle Royale and Lord of the Flies rolled up into one 4 minute jam.

“If looks could kill they probably will. In games without frontiers - wars without tears.”

"SUEDEHEAD" MORRISSEY (1988)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

The Smiths breakup is something I still somewhat mourn to this day. One of my all-time favorite bands, it felt like a divorce because Marr’s ingenious guitar riffs were married to Morrissey’s morose, operatic vocals like partners that make up for each other’s weaknesses. “Suedehead” was the first solo single from Morrissey that gave us hope that he could still do brilliant things with music without Marr. He became more melodic. More universal. More insistently satiric. The opening tune-up guitar strum in “Suedehead” is like Morrissey’s mating call for his next music partner. Us.

“You had to sneak into my room just to read my diary.”

"STAIRWAY TO HEAVEN" HEART (2012)

For Women’s History Month, I’m selecting some of my favorite songs from some of the most talented and influential women in music. From frontwomen to singer-songwriters to iconic performers, I’m picking one song a day on Mental Jukebox until the end of March.

How can you possibly live up to the incredibly overwhelming expectations of covering this monumental classic? On Dec 2, 2012, Heart did it. When Led Zeppelin was honored at the Kennedy Center, Heart gave a powerful, unbelievable, crushing rendition of “Stairway to Heaven”. It was one of rock & roll’s greatest bands paying homage to arguably the greatest one of all.

I have to fight back the tears every time I see this performance, because something transcendent happened beyond the music that night. Even a classic like “Stairway” can be reborn, as we saw in Ann Wilson’s mindblowing performance and the 50-member choir that crushed the bridge. Even a classic like “Stairway” can cross multiple generations, as we saw Bonzo’s son Jason Bonham laying down thunderous beats reminiscent of his late father’s drum style. When the camera turned to the remaining members of Zeppelin, you could see that music history was happening once again. Jimmy Page and Jonesy were in awe. Robert Plant was in tears. What we saw that on the night of Dec 2, 2012 is that true greatness goes far beyond the music. True greatness inspires us to find our own great moments.

“And as we wind on down the road, our shadows taller than our soul.”

"FAST CAR" TRACY CHAPMAN (1988)

For Women’s History Month, I’m selecting some of my favorite songs from some of the most talented and influential women in music. From frontwomen to singer-songwriters to iconic performers, I’m picking one song a day on Mental Jukebox until the end of March.

Until the moment “Fast Car” came on to the radio in 1988 we had heard nothing else like it. It was a deliberately simple story about ordinary people. Something seemingly so easy to create, yet only achieved by music’s true luminaries: Dylan, Springsteen, Waits, Simon. With songs like “Fast Car”, “Across the Lines” and “For My Lover”, Chapman showed the vulnerability and bravery of telling stories from the heart as if they were her very own. And the underrated acoustic guitar riff cleverly embodies the plight of the song’s characters.

“You got a fast car. Is it fast enough so you can fly away? You gotta make a decision. Leave tonight or live and die this way.”

"LIAR" THE CRANBERRIES (1993)

For Women’s History Month, I’m selecting some of my favorite songs from some of the most talented and influential women in music. From frontwomen to singer-songwriters to iconic performers, I’m picking one song a day on Mental Jukebox until the end of March.

The first time I heard this song was on the Empire Records soundtrack. I practically played that disc into the ground as every single song on that soundtrack was a standout. What made “Liar” one of my favorite Cranberries anthems is that it paired some of Dolores O’Riordan’s most beautiful, yet feisty yodeling with core “alternative” elements like unexpected chord progressions, instrumental interludes and guitar playing. “Liar” brings me back to exciting, yet uncertain times that were as unexpected as the song’s characteristics themselves.

“All I want is something special. And you can't give it to me.”

"IT'S TOO LATE" CAROLE KING (1971)

For Women’s History Month, I’m selecting some of my favorite songs from some of the most talented and influential women in music. From frontwomen to singer-songwriters to iconic performers, I’m picking one song a day on Mental Jukebox until the end of March.

Albums like Tapestry come out maybe once a decade. It’s America’s songbook. In many ways, it’s also a playbook for how to write songs—and “It’s Too Late” is a perfect example. It showcased all the great elements of songwriting. Heart. Soul. An unforgettable melody and lyrics. And, most notably on this record, an instrumental arrangement where the music not only complements the vocals, but has its own moments to shine.

“One of us is changin', or maybe we've just stopped tryin'.”

"WOULD I LIE TO YOU?" EURYTHMICS (1985)

For Women’s History Month, I’m selecting some of my favorite songs from some of the most talented and influential women in music. From frontwomen to singer-songwriters to iconic performers, I’m picking one song a day on Mental Jukebox until the end of March.

Rock and blues have intermingled throughout music history. But there are few songs that did it better than “Would I Lie to You?”. It was a significant departure for a band that relied heavily on synths. This was the Eurythmics’ coming out party, featuring meaty guitar riffs, sax flourishes and a powerful bluesy vocal delivery. It showcased David Stewart’s newfound love of R&B and Annie Lennox’s impressive vocal versatility together on one record.

“I've packed my bags. I've cleaned the floor. Watch me walkin'. Walkin' out the door.”

"I PUT A SPELL ON YOU" NINA SIMONE (1965)

For Women’s History Month, I’m selecting some of my favorite songs from some of the most talented and influential women in music. From frontwomen to singer-songwriters to iconic performers, I’m picking one song a day on Mental Jukebox until the end of March.

That voice. It’s the unbelievable combination of versatility and pure soul. Like synthesizers or guitar effects pedals, Nina Simone’s versatility transforms to anything she wants it to be. On a song like “I Put a Spell On You”, we hear a wide array—from sweet honey to scorching fire. And the kicker: there’s an unforgettable moment at the 1:55 mark when Nina’s voice mimics the sax in one of the most arresting improvisations ever recorded.

“I put a spell on you. Because you're mine.”

"EVERYTHING IS EVERYTHING" LAURYN HILL (1998)

For Women’s History Month, I’m selecting some of my favorite songs from some of the most talented and influential women in music. From frontwomen to singer-songwriters to iconic performers, I’m picking one song a day on Mental Jukebox until the end of March.

“Everything is Everything” is a towering bridge spanning the musical landscape. It bridges the seminal work of the Fugees with the new, defining sound and themes of Lauryn Hill. It bridges multiple genres, from R&B to soul to hip hop. It also bridges us into the next decade with an early peek into John Legend, who played piano on the track as a 19 year old. The Miseducation of Lauryn Hill was a reeducation of what music can be. And “Everything is Everything” led the way.

“Now hear this mixture, where Hip Hop meets scripture. Develop a negative into a positive picture.”

"SOLITUDE STANDING" SUZANNE VEGA (1987)

For Women’s History Month, I’m selecting some of my favorite songs from some of the most talented and influential women in music. From frontwomen to singer-songwriters to iconic performers, I’m picking one song a day on Mental Jukebox until the end of March.

One Saturday afternoon in high school, I went to the old Tower Records in the Village and waited among the throngs to meet Suzanne Vega. She was quiet, but assuredly in command. That same eccentric stature and personality are on full display on “Solitude Standing” where Vega’s eerie confidence comes through even in a whisper. “Luka” and “Tom’s Diner” were bigger hits. But the title track is the one that showed Vega at her best, unapologetic self.

“I've come to set a twisted thing straight.”

"THE GREATEST" CAT POWER (2006)

For Women’s History Month, I’m selecting some of my favorite songs from some of the most talented and influential women in music. From frontwomen to singer-songwriters to iconic performers, I’m picking one song a day on Mental Jukebox until the end of March.

This was the title track (along with the album at large) where Cat Power’s sound evolved into a more soulful expression. It’s why a song like “The Greatest” immediately grips you and won’t let go. Even at its impossibly slow pace, “The Greatest” is somehow invigorating and hopeful, a space that band lead Chan Marshall excels in. It’s a shining example of how music can lift your spirits without relying on faster tempos or louder instruments.

“Once I wanted to be the greatest. No wind or waterfall could stall me. And then came the rush of the flood. The stars at night turned deep to dust.”

"WUTHERING HEIGHTS" KATE BUSH (1978)

For Women’s History Month, I’m selecting some of my favorite songs from some of the most talented and influential women in music. From frontwomen to singer-songwriters to iconic performers, I’m picking one song a day on Mental Jukebox until the end of March.

It’s not a pop song. Or a rock song. It’s just a brilliant work of art. The songwriting and instrumentation for “Wuthering Heights” are more akin to the storytelling approach and epic scale of a Broadway musical than anything else. It’s what was playing in Kate Bush’s head after reading the novel and film adaptation of the same name. At the age of 18, “Wuthering Heights” showed us Kate’s innate ability to surprise us and introduce us to different worlds.

“I'm coming back to his side to put it right. I'm coming home to wuthering, wuthering, Wuthering Heights.”

"BRASS IN POCKET" THE PRETENDERS (1979)

For Women’s History Month, I’m selecting some of my favorite songs from some of the most talented and influential women in music. From frontwomen to singer-songwriters to iconic performers, I’m picking one song a day on Mental Jukebox until the end of March.

When I think of all the frontwomen in rock & roll, Chrissie Hynde is the quintessential example. Unlike many of her contemporaries, Hynde played a lead role without stealing the spotlight. You can hear it in the classic, “Brass in Pocket”. Hynde’s edge is exactly on par with the attitude of the guitar riff and the punk posture of the bass. No one member is overpowering the other. And rather than blending all the sounds together, the production emphasized the clarity of each individual track. It’s a beautiful thing.

“Got motion, restrained emotion. Been driving, Detroit leaning.”