"REBEL YELL" BILLY IDOL (1983)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

Before and after Billy Idol, there was nothing else like him. With Rebel Yell, he fused together two genres that almost had no business being on the same track together: hard rock and new wave. On their own, these genres stood in opposition to one another. But on Idol’s second solo album — and with his title track , in particular — they came together like long lost souls.

“Rebel Yell” laid the groundwork for other bands that also brought elements of these two divergent music styles together, most notably The Cult and INXS. Two likable genres often enjoyed on their own — but not often together. That’s the simple genius of Billy Idol. Every bit a rebel in both his persona and in his music, but equally relatable and likable with the masses.

“He lives in his own heaven.”

"SLAVE TO LOVE" BRYAN FERRY (1985)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

Bryan Ferry and the tail end of Roxy Music’s catalog is a guilty pleasure of mine. They were certainly far more progressive and experimental early on. But then the band ventured into a more atmospheric space that flirted dangerously with soft rock.

“Slave to Love” is a continuation of the Roxy Music era that brought us “More Than This”, “Avalon”, “Dance Away”, among others. Rather than fall into the predictable trap of standard “Lite FM” fare, Ferry turned to soundscapes and a soaring guitar solo at the 2:30 mark reminiscent of late Pink Floyd recordings.

“Tell her I'll be waiting in the usual place with the tired and weary. And there's no escape.”

"HEART OF GOLD" NEIL YOUNG (1972)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

I think of Neil Young primarily as a solo artist who just happened to insert himself into a couple of band lineups from time to time, most notably with Buffalo Springfield and CSN&Y. But really, Young has flown solo for most of his career—and he’s done it on his own terms.

His harmonica, tenor voice and guitar work are all signature elements of the rock & roll landscape. And they all came together so naturally and so simply on “Heart of Gold”. It was a bad back that forced Young to put down his electric axe, pick up his acoustic guitar and create some of the most well-known work of his career. Any song that’s envied by Bob Dylan has to be considered a great one.

“I want to live. I want to give. I've been a miner. For a heart of gold.”

"COMPULSION" MARTIN GORE (1989)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

The counterfeit E.P. was fresh off the heels of Depeche Mode’s Music for the Masses and the ensuing tour that transformed the band into stadium rockers. They had been recording, performing and traveling at a million miles a minute. Instead of pausing, Martin Gore kept going, deconstructing other people’s songs with his own unique sensibilities.

My favorite track on the E.P. is still the opening number, “Compulsion”. It got extensive airplay on my local alt rock radio station WDRE, and it gave me enough to tie me over until the anthemic Violator album descended on the music world. On “Compulsion”, Gore was in lock-step with his experimental synth sounds, subdued tenor vocals and a drum machine reboot that served as a foreshadowing of Depeche Mode’s next era.

“Charm’s in limited supply under threat of extinction. That indefinable nothing somehow motivates you.”

"LITTLE BIRD" ANNIE LENNOX (1992)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

Annie Lennox is one of the most underrated singers of our lifetime. Razor-sharp fundamentals and technique. Astounding range. And incredible versatility. On “Little Bird”, we get it all. She hogged most of the spotlight with the Eurythmics, but now she took it all.

On Diva, Annie moved closer to pop, but she did it in her own brilliant way. “Little Bird” soared on a blend of soul and electro-pop. It struts. It swaggers. It’s a vocal feast. While “Walking on Broken Glass” was a bit more predictable, “Little Bird” had just enough to catch me off guard.

“Mamma, where do I go? Mamma, what do I know? Mamma, we reap what we sow. They always said that you knew best. But this little bird's fallen out of that nest now.”

"IN THE AIR TONIGHT" PHIL COLLINS (1981)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

Before the mainstream pop tendencies of No Jacket Required came this Phil Collins anthem that became larger than life without crushing the charts. It was a dark period in his personal life, and the musical explorations in the song definitely reflected Peter Gabriel and early Genesis.

The power of the song can be boiled down to two moments, both revolving around the percussion. First, the creepy, ominous drum machine in the opening, a peculiar instrument of choice for a drummer. And second, the explosive drum barrage at the 3:40 mark, which is arguably the most famous drum break in music history. One showed Collins’ reclusive, detached persona, the other revealing an outburst of emotion. Just absolutely brilliant.

“I can feel it coming in the air tonight, oh Lord. Well I've been waiting for this moment for all my life, oh Lord, oh Lord.”

"HUMAN BEHAVIOUR" BJORK (1993)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

I’ll admit, while I liked a small handful of Sugarcubes tracks, the band as a whole were just a little too cooky for me. But the minute Bjork went solo, I thought her music got instantly stronger, smarter and more poignant. It all started with a track called “Human Behaviour”.

Like her vocals with the Sugarcubes, the song still had her signature vocal gymnastics. It’s like she’s warming up in front of us and blowing our minds from the get go. But where things diverge are in the instrumentation. “Human Behavior” was still experimental and imaginative, but it wasn’t fraught with a dual personality dynamic. The song, in its entirety, was going in a single direction that was exciting and cool.

“If you ever get close to a human and human behavior, be ready, be ready to get confused and me and my here after. There's definitely, definitely, definitely no logic to human behavior.”

"EDGE OF SEVENTEEN" STEVIE NICKS (1981)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

Fleetwood Mac was — and still is — one of the most beloved bands of all time. But Stevie Nicks showed us here that she was ready to do her own thing — and do it amazingly well.

Not just swagger, there’s almost a chip on her shoulder when she sings “Edge of Seventeen”. I’m not saying this is how it was, but it’s almost as if she was finally able to spread her wings here. She sounded musically liberated. The song is full of iconic musical moments—from the unforgettable opening guitar riff to the “ooh baby” backing vocal refrain. But, most of all, there was Stevie shining and crooning, no longer playing second fiddle.

“And the days go by, like a strand in the wind. In the web that is my own, I begin again.”

"JEALOUSY" NATALIE MERCHANT (1995)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

I’ll choose 10,000 Maniacs over Natalie Merchant’s solo catalog any day of the week. Her musical leanings changed quite significantly with Tigerlily. But “Jealousy” was a parting gift to the 10,000 Maniacs’ faithful.

When I heard songs like “Wonder” and “Carnival” on the radio, I thought, there she goes, another one bites the dust. But “Jealousy” gave me more of what I was looking for. It was an outlier track that felt more like an unfinished 10,000 Maniacs demo. The song structure, playful temperament and Merchant’s unique storytelling style were reminiscent of the fruitful In My Tribe / Blind Man’s Zoo era.

“Is she smart, so well-read, are there books, are there novels by her bed?”

"DIAMONDS ON THE SOLES OF HER SHOES" PAUL SIMON (1986)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

Dating back to the Simon & Garfunkel years, Paul Simon was often viewed as the driving force and persona in that duo. But if Graceland taught us anything, it’s that Simon was born to collaborate and not steal the spotlight. It’s one of those rare albums that become instant classics the minute they’re released.

Every song is gold on Graceland, but the last track on Side 1 was one of my favorites in all its unrock & roll glory. After Simon’s trip to South Africa, he brought back a local choral group with him to New York City to record “Diamonds on the Soles of Her Shoes”. It starts off a cappella, slips into a world beat groove exactly at the 1:00 mark and oozes with joy for its duration.

“People say she's crazy. She got diamonds on the soles of her shoes. Well that's one way to lose these. Walking blues.”

"THE PASSENGER" IGGY POP (1977)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

Depending on your musical inclinations, the day The Stooges broke up could be viewed as one of utter defeat or one of resounding victory. For me, they’re one of those bands that I can respect, but not necessarily appreciate. But Iggy Pop’s solo work — and the Lust for Life album in particular — is a different story.

“The Passenger” is one of my all-time favorite songs, one that resides in its own musical venn diagram of punk, classic rock and show tunes. It started off as a b-side, off the radar, unheralded. And then over the years it became a sort of late bloomer classic. In my mind, it’s one of the best solo outputs to come out of the punk scene.

“I am a passenger. And I ride, and I ride. I ride through the city's backsides. I see the stars come out of the sky. Yeah, they're bright in a hollow sky. You know it looks so good tonight.”

"HARROWDOWN HILL" THOM YORKE (2006)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

The Eraser was the quintessential solo side project. Picking up where Radiohead’s Hail to the Thief left off, it was experimental, but not a complete departure from the band’s recent electronic leanings

At the time of “Harrowdown Hill”, my interest in Radiohead had already started to wane — the days of The Bends and OK Computer were done. But as a solo effort, it fit the bill. Intentionally minimalist, the mood was haunting, menacing, dark. It contained all the signs of a musician not willing to take a break. A frontman who couldn’t help but explore new synthesizer sounds well into the night, while his bandmates rested.

“We think the same things at the same time. We just can't do anything about it.”

"FORTRESS AROUND YOUR HEART" STING (1985)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

The Dream of the Blue Turtles was my first experience hearing a former frontman turn solo, and it didn’t disappoint. Sting’s debut solo album is full of varied themes, genres and personalities. And my favorite track was always “Fortress Around Your Heart”.

It’s a love song written like an epic war story. The melody is infectious, yet utterly unique, and contains one of Sting’s self-proclaimed finest choruses. And the instrumentation is impeccable, with the calculating guitar picking, prodding bass line and Branford Marsalis’ sly sax solo marching in sync.

“I recognized the fields where I'd once played. Had to stop in my tracks for fear of walking on the mines I'd laid.”

"SATELLITE OF LOVE" LOU REED (1972)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

The best thing about Transformer and “Satellite of Love” is that they’re strikingly similar to the Velvet Underground aesthetic. In fact, the track was previously recorded as a Velvet Underground demo for Loaded. And then it was rerecorded for Transformer while the band was technically still together at the time.

What “Satellite” did, as many Lou Reed songs do, was take a simple rock song with a relatively simple song construction and add elements that gave it an air of unfamiliarity and uniqueness. That was Reed’s magical formula. And the potion for this one was an unusual story, a bridge that seems to come out of nowhere and the bubbly falsetto backing vocal.

“I've been told that you've been bold with Harry, Mark and John. Monday and Tuesday, Wednesday through Thursday with Harry, Mark and John.”

"THE CHANGINGMAN" PAUL WELLER (1995)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

The solo work of Paul Weller is one of the more underrated music anthologies today. While The Jam helped define the British punk era and mod revival, Weller has been a sort of music chameleon in his solo years. He’s gone headlong into all kinds of musical directions over the years – with elements of jazz, funk, rock and blues.

“Changingman” is one of my favorites. It’s a song of swagger. It’s bluesy. It’s performance-friendly. And it’s proof that you can go out and follow an entirely different musical agenda as a solo artist and still be hugely successful and respected.

“Numbed by the effect, aware of the muse. Too in touch with myself, I light the fuse. I'm the changingman.”

"GAMES WITHOUT FRONTIERS" PETER GABRIEL (1980)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

Before his foray into alternative rock and world music, Peter Gabriel carried the prog rock themes of early Genesis into his solo work. With “Games Without Frontiers”, he made prog rock more accessible.

One of my favorite Peter Gabriel anthems, just about everything in it was progressive, from the vocals to the keys to the guitar to the whistling. But the melody was palatable, even catchy. Each track on Peter Gabriel 3 was like a unique book that you could pull off the shelf, dust off and devour. “Games Without Frontiers” felt like a post-apocalyptic narrative, like The Hunger Games, Battle Royale and Lord of the Flies rolled up into one 4 minute jam.

“If looks could kill they probably will. In games without frontiers - wars without tears.”

"SUEDEHEAD" MORRISSEY (1988)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

The Smiths breakup is something I still somewhat mourn to this day. One of my all-time favorite bands, it felt like a divorce because Marr’s ingenious guitar riffs were married to Morrissey’s morose, operatic vocals like partners that make up for each other’s weaknesses. “Suedehead” was the first solo single from Morrissey that gave us hope that he could still do brilliant things with music without Marr. He became more melodic. More universal. More insistently satiric. The opening tune-up guitar strum in “Suedehead” is like Morrissey’s mating call for his next music partner. Us.

“You had to sneak into my room just to read my diary.”

"STAIRWAY TO HEAVEN" HEART (2012)

For Women’s History Month, I’m selecting some of my favorite songs from some of the most talented and influential women in music. From frontwomen to singer-songwriters to iconic performers, I’m picking one song a day on Mental Jukebox until the end of March.

How can you possibly live up to the incredibly overwhelming expectations of covering this monumental classic? On Dec 2, 2012, Heart did it. When Led Zeppelin was honored at the Kennedy Center, Heart gave a powerful, unbelievable, crushing rendition of “Stairway to Heaven”. It was one of rock & roll’s greatest bands paying homage to arguably the greatest one of all.

I have to fight back the tears every time I see this performance, because something transcendent happened beyond the music that night. Even a classic like “Stairway” can be reborn, as we saw in Ann Wilson’s mindblowing performance and the 50-member choir that crushed the bridge. Even a classic like “Stairway” can cross multiple generations, as we saw Bonzo’s son Jason Bonham laying down thunderous beats reminiscent of his late father’s drum style. When the camera turned to the remaining members of Zeppelin, you could see that music history was happening once again. Jimmy Page and Jonesy were in awe. Robert Plant was in tears. What we saw that on the night of Dec 2, 2012 is that true greatness goes far beyond the music. True greatness inspires us to find our own great moments.

“And as we wind on down the road, our shadows taller than our soul.”

"FAST CAR" TRACY CHAPMAN (1988)

For Women’s History Month, I’m selecting some of my favorite songs from some of the most talented and influential women in music. From frontwomen to singer-songwriters to iconic performers, I’m picking one song a day on Mental Jukebox until the end of March.

Until the moment “Fast Car” came on to the radio in 1988 we had heard nothing else like it. It was a deliberately simple story about ordinary people. Something seemingly so easy to create, yet only achieved by music’s true luminaries: Dylan, Springsteen, Waits, Simon. With songs like “Fast Car”, “Across the Lines” and “For My Lover”, Chapman showed the vulnerability and bravery of telling stories from the heart as if they were her very own. And the underrated acoustic guitar riff cleverly embodies the plight of the song’s characters.

“You got a fast car. Is it fast enough so you can fly away? You gotta make a decision. Leave tonight or live and die this way.”

"LIAR" THE CRANBERRIES (1993)

For Women’s History Month, I’m selecting some of my favorite songs from some of the most talented and influential women in music. From frontwomen to singer-songwriters to iconic performers, I’m picking one song a day on Mental Jukebox until the end of March.

The first time I heard this song was on the Empire Records soundtrack. I practically played that disc into the ground as every single song on that soundtrack was a standout. What made “Liar” one of my favorite Cranberries anthems is that it paired some of Dolores O’Riordan’s most beautiful, yet feisty yodeling with core “alternative” elements like unexpected chord progressions, instrumental interludes and guitar playing. “Liar” brings me back to exciting, yet uncertain times that were as unexpected as the song’s characteristics themselves.

“All I want is something special. And you can't give it to me.”