"SIR DUKE" STEVIE WONDER (1976)

I generally gravitate to the music first before the lyrics. But as a writer, I still marvel at well-spun verses and choruses. This month, I’m joining the music Twitter community in #SeptSongLyricChallenge

Day 3
Hands down, “Sir Duke” is one of the most memorable musical tributes. Basie. Glenn Miller. Louis Armstrong. Ella. And, of course, Duke Ellington. Few songs celebrate music so admirably and unpretentiously. It’s pure love for the music. Pure love for the sounds that have shaped us. In many ways, it’s the same thing that drove me to start Mental Jukebox. This “hobby” of mine represents the collision of two loves of mine: music and words. Seemed like Stevie was doing the same thing in this classic.

“Music knows it is and always will be one of the things that life just won't quit. But here are some of music's pioneers that time will not allow us to forget. For there's Basie, Miller, Satchmo and the king of all: Sir Duke. And with a voice like Ella's ringing out, there's no way the band can lose.”

"THE BODY IS A BLADE" JAPANESE BREAKFAST (2017)

I generally gravitate to the music first before the lyrics. But as a writer, I still marvel at well-spun verses and choruses. This month, I’m joining the music Twitter community in #SeptSongLyricChallenge

Day 2

The songs of Soft Sounds From Another Planet are like a bridge from despair to joy. It’s the necessary mourning of death and loss that make joy and hope even possible one day. I love these songs. “Diving Woman”, “Till Death”, “Boyish”, “Road Head” and this one. As Japanese Breakfast suddenly became a hot band nearly overnight last year, I was lucky to catch them live at Brooklyn Steel where they played “The Body Is A Blade”. They say your pain is more meaningful if it becomes the experience that enables you to be there for someone who goes through something similarly painful. I think that’s what Michelle Zauner was doing when she wrote these lyrics.

“Try your best to slowly withdraw. Your body is a blade that moves while your brain is writhing. Knuckled under pain, you mourn but your blood is flowing.”

"ATLANTIC CITY" BRUCE SPRINGSTEEN (1982)

I generally gravitate to the music first before the lyrics. But as a writer, I still marvel at well-spun verses and choruses. This month, I’m joining the music Twitter community in #SeptSongLyricChallenge

Day 1

The storytelling form of song lyrics doesn’t get much better than Springsteen’s Nebraska album. Music and production was stripped down to their minimalist form, putting the lyrics and vocal performance at the forefront. “Atlantic City” is one of the more memorable tracks from the record. On it, Springsteen. sang of love, escape, risk and organized crime. As we listen to the story of this couple driving to Atlantic City, I can’t help but root for them, hoping they find a better outcome than the Chicken Man.

“Everything dies baby, that's a fact. But maybe everything that dies someday comes back. Put your makeup on, fix your hair up pretty and meet me tonight in Atlantic City.”

"MISTAKEN FOR STRANGERS" THE NATIONAL (2007)

I generally gravitate to the music first before the lyrics. But as a writer, I still marvel at well-spun verses and choruses. This month, I’m joining the music Twitter community in #31DaySongLyricChallenge

Day 31

It is painfully hard for me to choose just one song from The National to highlight. One song that contains lyrics I revere. Because even among the songs from The National’s canon that I’m not as attached to musically, every single one seems to ring clearly with the everyday man poetry of Matt Berninger. “Mistaken For Strangers” features some of the finest string of words assembled together in the 21st century. “Showered and blue blazered.” “Fill yourself with quarters.” “Another un-innocent, elegant fall Into the un-magnificent lives of adults.” And this gem right here…

“Make up something to believe in your heart of hearts. So you have something to wear on your sleeve of sleeves. So you swear, you just saw a feathery woman carry a blindfolded man through the trees.”

"THE END" THE DOORS (1967)

I generally gravitate to the music first before the lyrics. But as a writer, I still marvel at well-spun verses and choruses. This month, I’m joining the music Twitter community in #31DaySongLyricChallenge

Day 30

There are few lyricists that were as prolific in a short period of time as Jim Morrison. Riding on a wave of rock, psychedelia, blues and even Middle Eastern and Native American musical explorations, the music from The Doors never fit neatly into one category. The compositions often felt truly epic. The sound felt truly their own largely because of Manzarek’s keyboard presence and, of course, Morrison, one of the greatest frontman to ever take the stage. “The End” is a breakup song that has become far more than a breakup song. It’s pure poetry.

“This is the end, beautiful friend. This is the end, my only friend, the end. Of our elaborate plans, the end. Of everything that stands, the end. No safety or surprise, the end. I'll never look into your eyes, again.”

"RELEASE" PEARL JAM (1991)

I generally gravitate to the music first before the lyrics. But as a writer, I still marvel at well-spun verses and choruses. This month, I’m joining the music Twitter community in #31DaySongLyricChallenge

Day 29

Epic grunge bands have come and gone with the era: Soundgarden, Nirvana, Screaming Trees, Alice in Chains. But only one has stood the test of time and even experienced a resurgence in recent years: Pearl Jam. If I can think of one characteristic for the band, it’s resilience. They’ve persevered and stayed relevant and active all these years. The album Ten was huge back in my college days. Just as played as Nevermind, Ten was full of bangers of different paces and sensibilities: “Even Flow”, “Alive” and “Jeremy”. “Black” is a personal favorite, but one of my less expected loves is the album closer “Release”, a fully cathartic experience and a nearly ten minute emotional drone that wraps up one of the great records of the grunge era.

“Oh dear dad. Can you see me now? I am myself. Like you somehow. I'll ride the wave where it takes me. I'll hold the pain. Release it.”

"ACCIDENTS WILL HAPPEN" ELVIS COSTELLO & THE ATTRACTIONS (1979)

I generally gravitate to the music first before the lyrics. But as a writer, I still marvel at well-spun verses and choruses. This month, I’m joining the music Twitter community in #31DaySongLyricChallenge

Day 28

There are few lyricists who are as witty and talented at writing about unrequited love and failed relationships as Elvis Costello. Armed Forces was his third album, as part of a string of nine studio albums recorded in just eight years. “Accidents Will Happen” is a naive little song about infidelity written with a wry sense of humor. Every verse has an unforgettable turn of phrase, proving that Costello was often at his best when he was mired in self deprecation.

“There's so many fish in the sea that only rise up in the sweat and smoke like mercury. But they keep you hanging on. They say you're so young. Your mind is made up, but your mouth is undone.”

"BRIGHTER!" CASS MCCOMBS (2013)

I generally gravitate to the music first before the lyrics. But as a writer, I still marvel at well-spun verses and choruses. This month, I’m joining the music Twitter community in #31DaySongLyricChallenge

Day 27

The clean guitar picking, McComb’s hush-hush falsetto and Americana roots swirling around on “Brighter!” remind me of late night star gazing. The simplest of songs are often the best ones we have. I just love the stark, ethereal quality to “Brighter!”. There’s a lightness and buoyancy to the music and lyrics that seem to transcend time and space. “Brighter!” The lyrics seem more like a stream of consciousness than a coherent narrative – and that’s the charm of it.

“I stopped in for a little while and threw in the evidence. I wandered off a little while resequencing events.”

"STAND OR FALL" THE FIXX (1982)

I generally gravitate to the music first before the lyrics. But as a writer, I still marvel at well-spun verses and choruses. This month, I’m joining the music Twitter community in #31DaySongLyricChallenge

Day 26

Those singles – “Stand or Fall” and “Red Skies” – from The Fixx’s debut album are like a blast from the past. They weren’t close to charting in the Top 40, but I discovered them via MTV and later rediscovered them on my local alt rock station WDRE/WLIR, which had a heavy dose of new wave anthems. What was great about “Stand or Fall” besides its razor sharp guitar hooks and ominous synth riffs is that the lyrics had substance. It wasn’t another teenage romance song helplessly stuck inside some John Hughes universe. With its political rant, it ran on conviction, not hormones.

“Is this the value of our existence? Should we proclaim with such persistence? Our destiny relies on conscience. Red or blue, what's the difference? Stand or fall, state your peace tonight.”

"WHAT IS AND WHAT SHOULD NEVER BE" LED ZEPPELIN (1969)

I generally gravitate to the music first before the lyrics. But as a writer, I still marvel at well-spun verses and choruses. This month, I’m joining the music Twitter community in #31DaySongLyricChallenge

Day 25

That magical blend of blues and hard rock, as if the two genres are slowly making love. That’s what I love most about Led Zeppelin. Plant’s presence is powerful in every song in their extensive catalog – from the ballads to the bangers. I also tend to lean toward the tracks where Page was ripping mind-blowing guitar riffs while Bonzo pounded away on the drums like lightning. But “What Is And What Should Never Be” roped me in with Jonesy’s melodic bass line, paired with such magnificent words.

“And if I say to you tomorrow, ‘Take my hand, child come with me. It's to a castle I will take you. Where what's to be, they say will be.’”

"HOLOCENE" BON IVER (2011)

I generally gravitate to the music first before the lyrics. But as a writer, I still marvel at well-spun verses and choruses. This month, I’m joining the music Twitter community in #31DaySongLyricChallenge

Day 24

The lyrics and musicality are joined at the hip in “Holocene”. The union of these two elements is so strong that Justin Vernon’s falsetto murmur feels like another atmospheric instrumental element being played on the track, not sung. Like much of Bon Iver’s catalog, it’s the kind of song that contains a greater power and exudes a deeper resonance when you play it in the middle of the night. “Holocene” just seems to feel at home when there are no other sounds to distract it or us.

“Hulled far from the highway aisle. Jagged vacance, thick with ice. I could see for miles, miles, miles.”

"ORIGINAL SIN" INXS (1984)

I generally gravitate to the music first before the lyrics. But as a writer, I still marvel at well-spun verses and choruses. This month, I’m joining the music Twitter community in #31DaySongLyricChallenge

Day 23

Man, I loved this era of INXS music. The guitar riffs are perfectly placed, making their presence known but never overpowering the rest of the music. Pengilly’s sax always finding a way to seamless enter every song without ever feeling forced. On “Original Sin”, Hutchence showed that he wasn’t afraid to go against the grain in his lyrics, deliberately talking about an interracial relationship when that sorta thing was frowned upon in those times. The Swing wasn’t the greatest INXS record by any stretch, but “Original Sin” as a single is one of their finest.

“Dream on black boy. Dream on white girl. And wake up to a brand new day. To find your dreams have washed away.”

"LOST IN THE SUPERMARKET" THE CLASH (1979)

I generally gravitate to the music first before the lyrics. But as a writer, I still marvel at well-spun verses and choruses. This month, I’m joining the music Twitter community in #31DaySongLyricChallenge

Day 22

Is that a disco rhythm we hear? This isn’t the anti-establishment, Brit punk outfit we know and love. On “Lost in the Supermarket”, The Clash went far beyond its comfort zone, stretching itself musically. My favorite track off London Calling, Track 8 is a wry commentary on suburban alienation. The lyrics and the way in which they are sung are unforgettable. It may not sound anything like a punk rock song, but therein lies its punk rock essence. The refusal to simply follow suit.

“I'm all lost in the supermarket. I can no longer shop happily. I came in here for that special offer. A guaranteed personality.”

"LUNA" THE SMASHING PUMPKINS (1993)

I generally gravitate to the music first before the lyrics. But as a writer, I still marvel at well-spun verses and choruses. This month, I’m joining the music Twitter community in #31DaySongLyricChallenge

Day 21

Languid. Dreamy. Mysterious. On an album stockpiled with alternative bangers, “Luna” ended Siamese Dream like a song for the wee hours. The final jam. It’s one of my favorites from one of the greatest albums of that early 90s grunge - alternative rock era. Corgan’s words had a lot to do with it. A moonlit moment with a lover – and the music that brings them together.

“And those moonsongs that you sing your babies will be the songs to see you through.”

"FEEL YOU" MY MORNING JACKET (2020)

I generally gravitate to the music first before the lyrics. But as a writer, I still marvel at well-spun verses and choruses. This month, I’m joining the music Twitter community in #31DaySongLyricChallenge

Day 20

I ignored the early recommendations from other music fans that I should check out My Morning Jacket. A grave mistake given how deep their catalog is and how spectacular Jim James’ songwriting abilities are. I was turned off by the band name. But once I dove in, I was all in. One of my favorite songs from the band came from the original Waterfall recordings in 2015. The song was rediscovered during the pandemic and released as part of Waterfall II. The guitar work is certainly a highlight, but the lyrics are the heart of the song. The words in “Feel You” almost doesn’t quite make sense because often love doesn’t quite make sense either.

“Are we under covers raining blood? REM covers, reign in blood. And all I want to do is feel you.”

"1963" NEW ORDER (1987)

I generally gravitate to the music first before the lyrics. But as a writer, I still marvel at well-spun verses and choruses. This month, I’m joining the music Twitter community in #31DaySongLyricChallenge

Day 19

One of my favorite b-sides of all time. The highlight for me on “1963” are the lyrics. This just might be the most well-written song from Bernard Sumner. He created a peculiar fictional narrative around J.F.K., Marilyn Monroe and Lee Harvey Oswald that showcased brilliant storytelling. Then, musically, Sumner’s shimmery riffs give way to Gillian Gilbert’s synth grooves that toggle between dreamy and doom, which worked perfectly with the narrative.

“He told me to close my eyes. My gift would be a great surprise. I saw hatred in his eyes. But he never meant to hurt me.”

"PERFECT DAY" LOU REED (1972)

I generally gravitate to the music first before the lyrics. But as a writer, I still marvel at well-spun verses and choruses. This month, I’m joining the music Twitter community in #31DaySongLyricChallenge

Day 18

Is it about romance or addiction? It really doesn’t matter. No matter how you interpret it, “Perfect Day” is hauntingly, achingly beautiful, yet it possesses this unassuming nature. This is where Lou Reed has thrived in his songwriting the most – both in his solo work and with The Velvet Underground. He takes these seemingly everyday moments and gives them a weight that seems unbearable at times. While I love the orchestral instrumentation of the song, it’s the lyrics and Reed’s delivery that are the most powerful elements in “Perfect Day”.

“Just a perfect day. You made me forget myself. I thought I was someone else, someone good.”

"FROM THE EDGE OF THE DEEP GREEN SEA" THE CURE (1992)

I generally gravitate to the music first before the lyrics. But as a writer, I still marvel at well-spun verses and choruses. This month, I’m joining the music Twitter community in #31DaySongLyricChallenge

Day 17

I could’ve picked from dozens and dozens of different Cure songs to highlight Robert Smith’s unique ability to capture a spectrum of emotions in his lyrics like no one else. Far more complex than just doom & gloom on one end and euphoria on another, Smith understands that human emotions are much more complex and nuanced than that as the closing lines in “From The Edge of the Deep Green Sea” indicate in its feedback-soaked abyss.

“It's always the same. Wake up in the rain. Head in pain. Hung in shame. A different name. Same old game. Love in vain. And miles and miles and miles and miles and miles and miles away from home again.”

"YES I'M CHANGING" TAME IMPALA (2015)

I generally gravitate to the music first before the lyrics. But as a writer, I still marvel at well-spun verses and choruses. This month, I’m joining the music Twitter community in #31DaySongLyricChallenge

Day 16

The synth-heavy instrumentation on Currents weaves in and out in a dream state. Many of the songs feel like we’ve unwillingly entered Parker’s head. Once inside, he reveals his thoughts on relationships and identity like pages out of a journal. Yet, “Yes I’m Changing” is also written like a defense statement. Assured, clarifying and maybe a touch too defensive. And I have been able to completely relate to this at different points in my life.

“I was raging, it was late. In the world my demons cultivate, I felt the strangest emotion. But it wasn't hate, for once.”

"TAME" PIXIES (1989)

I generally gravitate to the music first before the lyrics. But as a writer, I still marvel at well-spun verses and choruses. This month, I’m joining the music Twitter community in #31DaySongLyricChallenge

Day 15

Ordinary bands sing their lyrics. But the Pixies is no ordinary band. The instrumentation on “Tame” is irresistible with those chunky bass lines and the industrial cacophony on guitar. But the vocals are the centerpiece. This is Black Francis, so rather than sing his lyrics, he whispers, screams and growls his way through two short verses and peaces out in just under two minutes. The words are memorable, but more significantly, it’s the way in. which he delivers them that’s truly unforgettable.

“Got hips like Cinderella. Must be having a good shame. Talking sweet about nothing. Cookie I think you're tame.”