This month, I’m looking back at movies and tv shows to rediscover songs that graced the screen. The scenes and the music are inseparable. They’re engrained in our heads and our hearts. And they’re proof that the best music we have doesn’t exist in isolation. It attaches itself to a moment or an experience. #SceneSongs
Movie: Weird Science
As a young teenager growing up in the 80’s, “Weird Science” was pure fantasy. Kelly LeBrock was like a goddess that stirred the hormones of boys with just a blink of her eye. We all wanted it to be real. The characters were extreme. Anthony Michael Hall, the epitome of the nerd. Bill Paxton, the definition of dirtbag. Robert Downey Jr., the false facade of cool. The music was extreme, too. Everything was fueled with large doses of testosterone. The highlight of the soundtrack is Killing Joke’s “Eighties”, which played full blast at a party downstairs while Robert Downey Jr. was upstairs making amends with Anthony Michael Hall.
Killing Joke played it hard. They were louder and brasher than other post punk outfits. Listening back to the track, I can hear foreshadowings of Nine Inch Nails, Soundgarden and Nirvana. It sounds eerily similar to the trio of Cobain, Grohl and Novoselic. The guitar is relentless in “Eighties”, tearing through the song like a hurricane with a variety of hooks. The lyrics seem to function like an ode to a grittier, darker, dystopian version of the decade.
“Eighties - I got the best, I'll take all I can get.”